一根針，一縷線，千年的指尖智慧在當代重新被喚醒。

 

在貴州黔東南州凱里市，Hilo藝絡創(chuàng)意工作室正在對苗繡傳統(tǒng)針法進行系統(tǒng)梳理與樣品制作。目前，團隊已整理出多種苗繡常見針法，包括螞蟻針、鎖繡、打籽繡、皺繡、數(shù)紗繡等，涵蓋線條、填色、堆疊、編織等多類表現(xiàn)形式，完整呈現(xiàn)苗繡多彩技藝的結構邏輯與藝術魅力。

 

這些針法樣品由旅美歸國設計師王雨楠帶領繡娘團隊制作。她曾在紐約帕森斯設計學院學習時裝設計，后因苗繡的技藝之美與文化內(nèi)涵而扎根貴州，致力于將傳統(tǒng)刺繡語言重新激活，并融入全球紡織藝術語境。

 

每一針都不簡單，苗繡的絕妙，就藏在一針一線之間。

 

A needle and a thread — the wisdom of a thousand years is being reawakened in the hands of today.

 

In Kaili, a city in Qiandongnan Miao and Dong Autonomous Prefecture of Guizhou Province, the Hilo Creative Studio is systematically documenting and recreating traditional Miao embroidery techniques. The team has compiled a wide range of commonly used stitches, including ant stitch, chain stitch, seed stitch, pleated stitch, and drawn thread stitch. These techniques cover various forms such as linework, color filling, layering, and weaving — fully showcasing the structural logic and artistic richness of Miao embroidery.

 

These stitch samples are created by a team of embroiderers led by Wang Yunan, a designer who returned to China after studying fashion design at Parsons, the New School in New York. Captivated by the exquisite craftsmanship and cultural depth of Miao embroidery, she chose to root herself in Guizhou and has since worked to revitalize this traditional visual language and place it within a global textile art context.

 

Every stitch is no simple — the brilliance of Miao embroidery lies in every thread and needle.

 

 

貴州日報天眼新聞記者 王旗

素材來源 Hilo藝絡創(chuàng)意工作室

編輯 高鑫

二審 陳大煒 張瀚文

三審 許邵庭